Monday, May 2, 2011

Open Season 3 - Shot #14 and #15

Mr Winnie says, "Hey, look!"
Mr Winnie diz: "Hey, look!"



My comment on this shot will be short as well as it is. I think the only thing to note here is that I tried to make a broad movement with Mr Winnie so that the viewer, with the little time he had, look at him because he is the one speaking. Again, the other animals I animate just "keeping alive".

Essa cena meu comentário vai ser tão curto quanto. Acho que a única coisa a salientar aqui é que eu procurei fazer um movimento bem brusco em Mr Winnie para que o espectador, com o pouquíssimo tempo que tem, olhar para ele porque é ele que fala. Novamente, os outros animei apenas “keeping alive”.

Here is the final outcome, and how the shot came together following the shots done by other animators.
Eis o resultado final, e como a cena se encaixou na sequência do filme animada por outros animadores.



Time spent: 7 hours.
Tempo de trabalho: 7h.

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Alistair says: "Ahhh, please hold me!" and then: "Oh, she finally did."
Alistair diz: "Ahhh, please hold me!" e depois: "Oh, she finally did."



In my opinion this is the coolest character to animate in this film, because in addition to his interesting design, his dialogues and situations are pretty funny.
I like to use a cool technique to do stagger (this little shake Alistair does at the beginning when he says "Ahhh, please hold me"). Imagine this movement without the stagger, with the character slowing out from the pose of frame 101 to 109 (see the frame number at the bottom right). There are several types of stagger, the Animators Survival Kit book describes various, for this case I created an extra pose, the pose of frame 102 and did the following... To try to explain better, let's say that the pose of frame 101 is the pose A, the pose of frame 102 is the pose B and the pose of frame 109 is the pose C. Well, I selected some section of my timeline, temporarily, and did a slowout from pose A to C in a total of 5 frames and converted this animation frame by frame, setting a keyframe on every frame. I did the same from pose B to C. Until then I have five keyframes from pose A to C (anim_AC) and five more keyframes from pose B to C (anim_BC). All I gotta do now is to "shuffle" these keyframes, as follows: anim_AC_1, anim_BC_1, anim_AC_2, anim_BC_2, anim_AC_3, anim_BC_3, anim_AC_4, anim_BC_4, anim_AC_5. Note that the left keyframe anim_BC_5, which can be thrown away. Was it confused? It might seem, but it's pretty simple to do.

Na minha opinião esse é o personagem mais legal de animar do filme, porque além de ter o design interessante os diálogos e situações são bem engraçados.
Eu gosto de usar uma técnica legalzinha de fazer stagger (essa tremidinha que Alistair faz no início da cena quando diz “Ahhh, please hold me”). Imagine esse movimento sem o stagger, com o personagem se movendo em desaceleração da pose do frame 101 até 109 (veja o n. do frame no canto inferior direito). Existem vários tipos de stagger, o livro Animators Survival Kit descreve vários, para esse caso eu criei uma pose extra, a pose do frame 102 e fiz o seguinte... Para tentar explicar melhor, vamos dizer que a pose do frame 101 é a pose A, a pose do frame 102 é a pose B e a pose do frame 109 é a pose C. Pois bem, eu selecionei uma parte qualquer da minha timeline, temporariamente, e fiz uma desaceleração da pose A para a pose C num total de 5 frames e converti essa animação em quadro a quadro, colocando um keyframe em cada frame. Fiz o mesmo da pose B para a pose C. Até então eu tenho 5 keyframes da pose A para a pose C (anim_AC) e mais 5 keyframes da pose B para a pose C (anim_BC). Tudo que eu tenho que fazer agora é “embaralhar” esses keyframes, da seguinte forma: anim_AC_1, anim_BC_1, anim_AC_2, anim_BC_2, anim_AC_3, anim_BC_3, anim_AC_4, anim_BC_4, anim_AC_5. Note que sobrou o keyframe anim_BC_5, que pode ser jogado fora. Ficou muito confuso? Pode parecer, mas é bem simples de fazer.


Here is the final outcome, and how the shot came together following the shots done by other animators.
Eis o resultado final, e como a cena se encaixou na sequência do filme animada por outros animadores.



Time spent: 26 hours.
Tempo de trabalho: 26h.

**********************************************************************************************
If you have any questions, criticism or if I said something stupid, please contact me. My email is at the top of the site. I’ll be happy to exchange ideas. Soon I will post more shots and details of my experience in this project. Add me on Twitter to receive updates of new posts!
Cheers :)

Se você tem alguma pergunta, crítica ou se falei alguma besteira, entre em contato comigo. Meu e-mail está no topo do site. Ficarei feliz em trocar idéias. Breve irei postar mais cenas e detalhes da minha experiência nesse projeto. Me adicione no Twitter para receber notícias dos novos posts!
Abraços :)

11 comments:

Jonathan Edward said...

Alan, muito bacana ver as animações nas diferentes etapas e ainda com uma explicação sua sobre como foi animar a cena
Cara, vc animou um mooonte nesse filme hein? haha
Parabéns pelo trabalho, tá muito massa

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